The A. Tyner Antiques Blog: Venice

By the time Venetian mirrors came into being in the late 15th century, the island of Murano had reigned as the world’s premier glass manufacturer for three centuries. The island had long been home to the world’s best glassmakers, in part precisely because it was an island. Artisans and glassmakers were isolated from much of the rest of the world specifically so that the secrets of Venetian glass would not find their way to other places. While Murano was something of a cage, it was for most of the glassmakers, a gilded one with a lifestyle many from outside would envy.

Although the techniques were certainly a critical element of the success of Venetian glass, in truth there were other factors that played a significant role as well, but there was no chance of their being easily stolen. Why? Because they included the unique salinity of the sea around Venice as well as the local salt and soda the glass was made from.

Besides the quality of the glass itself, the key process that made Venetian mirrors so sought after was a closely held secret called the Gold Dust Technique, where gold leaf would be inserted into the glass prior to the solidification process, leaving the gold leaf floating in the mirror's glass. Protected forever, the gold leaf added color and an eternal sparkle to the Venetian mirror.

By the middle of the 16th century Venetian mirrors were considered one of the most collectible forms of art in the world. It’s said that the mirrors were so sought after – and rare – that one would have been more valuable than a naval ship or a Rafael of the same size!

Gilded cages are, after all, still cages, and eventually three birds flew the coup. France’s Louis XIV succeeded in luring the Venetian glass makers to Paris and the monopoly of Murano glassmaking was history. Although the French quickly replicated some of the Venetian techniques, Venice and Murano would remain the world’s premier glass makers for centuries to come.

One result of the French breaking the Venetian monopoly was the fact that lower priced Venetian style mirrors became commonplace throughout Europe. It turned out that the market for a more affordable Venetian style mirror was considerable and demand was able to keep glass manufacturers across the continent humming for centuries.

Today Venetian style mirrors are still sought after, and we have a variety of them available. From beautiful classical styles to Art Deco and modern there’s a something for everyone… Just in time for Christmas!

The "Queen Anne" Venetian Style Mirror

"Bullseye" Venetian Style Mirror

"Rectangular Bullseye" Venetian Style Mirror

"Judy" Venetian Style Mirrored Coffee Table

"Hugh" Venetian style mirror

"Sevilla" Venetian style mirror

"Verona" Venetian Style Mirror

"Caroline" Venetian Style Mirror

"Angie 2" Rectangular Shaped Venetian Style Mirror

Early 20th century Italian Venetian Mirror
(Note: This is a Venetian mirror, not a Venetian style mirror)

"Judy" Venetian Style Console Table

"Art Deco" Venetian style mirror

"Paris" Venetian Style Mirror

"Versailles" Venetian Style Mirror

"Milano" Venetian Style Mirror

"Roma" Venetian Style Mirror

"Classic" Venetian Style Mirror

"Etched Venetian" Venetian Style Mirror

"Octagonal" Venetian Style Mirror

Sources:
http://www.invitinghome.com/venetian-mirrors/venetian-mirrors-history.htm

http://ezinearticles.com/?History-of-Venetian-Mirrors&id=5439751

Italy… there are millions of things that one could say about how wonderful Italy is in the winter. One of the best things is… it’s cold! At least in the north it is, and of course that’s where Venice is. One of the challenges with Venice is that it’s so beautiful and so popular that for much of the year it almost feels like Time’s Square on New Year’s because it’s so crowded. Not so much in the winter however. In the winter Venice is nothing short of spectacular.

And that’s where Angie and Hugh went this past December. Staying at the Antiche Figure Hotel, a 16th century beauty located across the Grand Canal from the train station, they spent a week seeing pretty much everything one could imagine.

One of the great things about Venice in the winter is that it’s pretty easy to walk down the sidewalks, something that can be a bit of a challenge in the summer when there are so many people. On the other hand, floating down the sidewalks in the winter isn’t unheard of that’s when the city is traditionally most affected by extraordinary tides that can result in high tides 6 ft. above normal… (They are called the Acqua Alta) Which can be a problem for a city built at sea level… In such instances one would walk on the passarelle, the elevated walkways that are set up around the city… or bring galoshes. Luckily our intrepid adventurers didn’t have to worry about flooding this year.

Of course the trip begins with the Doge’s Palace and works around the city from there. Venice seems to have something to see around every corner and across every bridge. There is St. Mark’s Square where the winter chill can be warmed by the liquid gold of Café Florian’s hot chocolate, the Basilica di Santa Maria Gloriosa dei Frari church with Giovanni Bellini’s Madonna and Child altarpiece, and the Gallerie dell'Accademia with masterpieces from the likes of Titian, Canaletto and da Vinci. The Accademia was particularly fascinating because it’s just recently come out of renovation and as a result the colors were extraordinarily vibrant and the walls and the ceilings seemed like they’d just been presented for the first time.

Angie and Hugh particularly enjoyed the Ca' Rezzonico, not far from the Accademia. This canal facing beauty is dedicated to 18th century Venice and features wonderful pieces of art as well as spectacular frescos, but its real treasure is its collection of period piece furniture. They also visited the Galleria Giorgio Franchetti alla Ca' d'Oro, better known as Ca’ d’Oro, which means Golden House. The collection, much of which was accumulated in the 19th century by banking baron Giorgio Franchetti, is one of the most eclectic in Venice, consisting of paintings, sculptures, reliefs, fragments and a number of spectacular frescos.

But Venice is not all about public museums or cathedrals. One of the fascinating things about Venice is that there is no shortage of houses that have been turned into museums. For people in the antique business like Hugh and Angie, that is a little like being kids in a candy store. Although antique prices are typically too high to be able to ship and sell at a profit, from a research perspective it’s a goldmine. From lighting and mirrors and furniture to sunbursts and fragments and statuary, Venice gives one a wonderful opportunity to see pieces in their original settings, with original paints and often still being used for their original purposes.

Then of course there are the canals… While walking the narrow crooked streets of Venice is part of the city’s charm, the canals are Venice. Although from seeing Casino Royale, From Russia With Love or The Italian Job one might imagine that everyone in the city gets around by speedboat, the reality is that the primary vehicles in Venice are the water taxis and the romantic gondolas. Running throughout the year – except when strikes strike – they are a wonderful way of getting around. But of course, did we mention that it’s cold in December? When not walking about Angie and Hugh opted for the water taxis, which are like New York City’s tourist busses, you get on and off at different locations around the city as it fits your itinerary. Sure, it’s cold on the taxis too… but they get you to your destination much faster than the gondolas or walking!

Finally, given that the city is basically a collection of buildings separated by canals that one has to cross every so often, there are the bridges. Angie and Hugh may not have crossed every one, but they crossed quite a few, including the Ponte degli Scalzi, the Ponte dell'Accademia and of course the Bridge of Sighs. Sadly however, as it was under construction, they were unable to cross what is perhaps the city’s most beautiful bridge, the Rialto.

So, now that we’ve explored Venice, the second part of the trip, Florence, will be coming up soon. Below are some of our duo's pictures from Venice.

Lion fresco from Basilica di Santa Maria Gloriosa dei Frari

Altar in the Basilica di Santa Maria Gloriosa dei Frari

A floor to ceiling door panel in the Scuola Grande di San Rocco.

A ceiling panel in the Scuola Grande di San Rocco featuring paintings by Tintoretto, who was commissioned to do most of the paintings in the building.

A chandelier in the Ca' Rezzonico.

Another chandelier in the Ca' Rezzonico.

A chair in the Ca' Rezzonico.

A marble floor in the Ca' Rezzonico.

Venetian ribbon back chairs.

A mirror in the Ca' Rezzonico.

A chest in the Ca' Rezzonico.

Another mirror in the Ca' Rezzonico.

A Vaporetto stop - where one picks up the water taxi.

The Grande Canal.

The Rialto Bridge, which was under construction and covered with a faux facade.

A statue standing on the inlaid tile floor in the Ca’ d’Oro, which is more often than not under water this time of year.

The facade of the Gallerie dell'Accademia.

Giant works in the Gallerie dell'Accademia painted by Titian.

Madonna and Child - Giovanni Bellini in the Accademia.

The bell tower of St. Mark's Basilica towers above St. Mark's Square and the Doge's Palace.

A cabinet in the Doge's Palace.

Fragments from the exterior of the Doge's Palace.

Directions anyone? Giant globe and map in the Doge's Palace.

Although these walls in the Doge's Palace may look like they feature frescos, in reality these are giant paintings which were painted specifically for these walls.